For both Ustad Ramzi and Gohar Jan, regard, pride and respect are preeminent despots of activity. They view the notoriety of their callings and factions as their incomparable obligation – “Ustad Ramzi could never give it a chance to be said that the title was lost to his group while he lived.” The strict principles of Ustad Ramzi and Gohar Jan are so profoundly instilled that they won’t surrender to passionate, dutiful, social or money related weights. Nonetheless, for some less skilled and scheming society like Gulab Deen, a promoter of matches, relinquishing the old ways bodes well. Gulab Deen breezily legitimizes his viewpoint: “There is no appreciation in my business. Everybody supposes I’m after cash. Be that as it may, what’s the matter with that, you let me know?” A hard contention even with Ustad Ramzi’s financial disappointment. Gulab Deen makes Ustad Ramzi look old watch and stiff-necked – “For some, Ustad Ramzi’s set point of view had abandoned a righteousness to an obstacle. Farooqi raises the plot by presenting Tamimi, Ustad Ramzi’ more youthful sibling. Tamimi is juvenile, receptive and incapable. He is depicted as ‘silly’ while Ustad Ramzi is ‘respectable’. Not the greater part of Tamami’s failings are of his own doing however. Ustad Ramzi, “youth never went by him”, is a strict taskmaster. Indeed, even as Tamami understands the mistake of his ways, Ustad Ramzi stays aloof and unforgiving. An adjusting variable to Ustad Ramzi’s stark father figure is the merciful Kabira, a compassionate mother figure. Gohar Jan, as Ustad Ramzi, treats her supporter, Malka, with frosty despise as well, however her intentions are loftier. For the young lady’s future, she doesn’t wish her to shape any connection to the kotha. In the occasion, Gohar Jaan is left forlorn and lost. It is this forlornness, absence of satisfaction from their wards and the way that they both evaded a relationship to surrender themselves wholeheartedly to their calling, that dilemma Ustad Ramzi and Gohar Jan in a curiously solid proclivity for each other. SinglePic not found The heroes speak to a withering breed horrendously endeavoring to keep the holiness of their specialty alive and not let it crumble into a shabby, indecent and degenerate type of stimulation. Indeed, even as they are excluded and attempted by a general public which has no tolerance for out-dated esteems, they keep on practicing their craft difficultly and formally. In a more logical sense, this book is additionally an impression of a post-parcel society, unfit to process the quick difference in occasions and steer itself the correct way. Money related hardships, a topic played upon emphatically in the novel, add to the ideological perplexity of a youthful country. Qualities are bargained for the sake of progress.SinglePic not found There is much sentiment and skilful depiction of negative feelings, yet the novel does not discourage. Each character is convincing and affable regardless of its failings and the story moves along at a brisk pace. Farooqi has carefully examined the ways of life of the pehelwans and tawaifs yet his style is brief and there isn’t a word squandered; not a portrayal pointless to the plot. The peruser will see lopsidedly not so much exchange but rather more account portraying the contemplations and sentiments of the characters.